Several singers have filled in as baritone vocalist for Greater Vision this month. Isaac Hughes traveled with the group one weekend. Cody Shaneyfelt was out with them this past weekend, and Jim Brady filled in last week at Praisefest Branson.
Jon Epley, who had been with Greater Vision since 2017, announced his decision to leave the group in February 2025
These temporary arrangements allow Greater Vision to continue their scheduled performances while they seek a permanent replacement for the baritone position. The group’s founder, Gerald Wolfe, along with Rodney Griffin and Chris Allman, are actively searching for someone to fill the role permanently
Eddie Crook began his career in 1961 as the pianist for The Tennesseans. That started a music career that included doing session work at RCA Studios in Nashville. In 1964, he joined The Plainsmen Quartet. He’s spent decades of his life as a part of southern gospel music, both on the stage and behind-the-scenes.
Mr. Crook tells us one of the highlights of his career was “Playing the Grand Ole Opry with Marty Robbins on Saturday night with everybody going.”
From 1967-1970, he played for “The Sego Brothers and Naomi” and went on to become the pianist for “The Happy Goodman Family.”
In 1977, Eddie Crook began efforts to propel other artists through The Eddie Crook Company. The record label put many groups on the map. Some of the groups who were with The Eddie Crook Company include The Crabb Family, Carroll Roberson, Issacs, Bishops, Perrys, Booth Brothers, Heirline, Dixie Melody Boys, Dixie Echoes, Wilburns, Palmetto State Quartet, Jimmie Davis, and many more.
Speaking about the groups through the years he said, We were in the right place at the right time. We were fortunate to work with them.”
Our congratulations to Eddie Crook, recipient of The Southern Gospel Music Guild’s Lifetime Achievement Award!
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In the 18th chapter of Matthew, Dr. McGee highlights several key aspects of the Kingdom of Heaven. He emphasizes that entering the kingdom requires conversion and becoming like little children. This isn’t about reverting to childish behavior but rather experiencing a new spiritual birth, akin to starting life anew as a child spiritually. Dr. McGee notes that the disciples’ concern about who is greatest in the kingdom is secondary to the primary importance of securing entrance through the new birth. He underscores the Lord’s teaching that unless one is converted and becomes as a little child, they shall not enter the Kingdom of Heaven.
Dr. McGee stresses the immense value God places on children, stating that the evangelization of children is a Divine imperative. He cites the Lord’s strong words against those who would offend or cause these little ones to stumble. McGee interprets the passage about angels beholding the Father’s face as indicating that when little ones die, their spirits go immediately to be with God because Jesus died for them. He emphasizes the responsibility of parents and the church towards children, lamenting societal trends that harm them. Dr. McGee connects the Lord’s teaching on children to the discussion on divorce, noting that the well-being of children should be a paramount consideration for Christian couples.
Moving into Matthew 19, Dr. McGee addresses the crucial topic of marriage and divorce. He explains that Jesus takes the Pharisees back to God’s original ideal for marriage: one man and one woman becoming one flesh. While the Mosaic Law permitted divorce due to the hardness of hearts, Dr. McGee highlights that Jesus provides a new principle, stating that the only scriptural ground for divorce is fornication (adultery). He clarifies that while believers may separate on other grounds, remarriage after divorce is only permissible for the innocent party in cases of adultery. Dr. McGee also touches on the topic of singleness, noting that some are uniquely suited for it, and the decision to marry or remain single is ultimately a personal one.
As the narrative progresses, Dr. McGee discusses the concept of true greatness in the Kingdom. He explains that it is found not in seeking exalted positions but in humbling oneself and becoming a servant. This is exemplified by Jesus himself, who came not to be ministered to but to minister and give his life as a ransom for many. Dr. McGee emphasizes that rewards in heaven are determined by faithfulness to the task God has given, regardless of how significant or prominent it may seem. He notes Peter’s question about reward and Jesus’ response about judging the tribes of Israel, highlighting that sacrifice for Christ’s sake will be rewarded.
In the later chapters, Dr. McGee addresses Jesus’ entry into Jerusalem and his interactions with the religious leaders. He distinguishes between the initial entry and the true triumphal entry at the second coming. Dr. McGee interprets the cursing of the fig tree as symbolic of Israel’s fruitless religious system. He highlights the confrontation between Jesus and the chief priests regarding his authority, noting how Jesus skillfully exposes their hypocrisy. Through the parable of the two sons and the wicked husbandmen, Dr. McGee emphasizes that outward religious profession without genuine obedience and fruit is insufficient. He concludes by underscoring the importance of recognizing oneself as a sinner and coming to Christ for salvation.
Southern Gospel trio Southbound has released their latest single, “I Left It In The Water”. The digital release happened 11 October following the renewal of their recording relationship with Daywind Records. The song addresses the concept of baptism as a symbolic act of spiritual cleansing and forgiveness, as reflected in its lyrics.
The lyrics of “I Left It In The Water” reference past mistakes and the idea of being absolved through baptism. It begins with acknowledging our past errors: “I had a past I carried so long. Didn’t get it all right. Got a lot of it wrong”. The act of baptism is described as a form of burial: “When they laid me down in that watery grave, came up without a trace. It was covered by grace”.
The central theme of the song is expressed in the repeated line, “I left it in the water”. This phrase is directly linked to the concept of forgiveness received during baptism: “when I was baptized. I left it in the water. Buried in the tide, my past was forgiven. That very hour, guilt, sin, and shame no longer remain cuz I left it in the water”. The lyrics suggest a complete separation from the past self: “If you look for old me, friend, don’t even buy Father, there’s just a headstone saying that man is gone. Cuz I left it in the water”.
Clint Brown of Southbound gave us some context for the song’s message. He said while some people may consider themselves saved, baptism holds a specific significance. Brown explained that “I Left It In The Water” offers an opportunity to communicate the meaning of baptism as representing “the cleansing uh power of God in your life”.
The release of this single coincided with Southbound’s renewed partnership with Daywind Records. Clint said the continued collaboration comes with the value of associating with experienced professionals in the industry and expressed his anticipation for their ongoing work together to “bring hope, help, and blessing through the songs we sing”.
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