Category: Top articles

Karen Peck & New River Teases New Album After Months of Preparation

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JEFF TURNER

Southern Gospel fans are eagerly anticipating the next release from Karen Peck & New River, a group that has been a staple in the genre since its formation in 1991. With six Grammy nominations and Karen Peck Gooch’s 2021 induction into the Gospel Music Association Hall of Fame, the group has consistently delivered powerful and uplifting music.

Karen Peck & New River has been hard at work on their forthcoming album, though the title remains undecided. “We have quite a few songs that could be a title,” Karen Peck Gooch shares. “‘Be Ready’ is a great title.” While the title is still being finalized, one thing is certain: the group is confident in the direction of the new project. “I really think that we’re in good shape as far as the focus and the direction we’re heading with this album.”

Fans can expect the same heartfelt messaging that has made the group a Southern Gospel mainstay. “We just want our music to be relevant,” Gooch adds. “We want to keep moving forward because we can’t stay where we are.”

As the release date approaches, anticipation grows for what promises to be another meaningful and impactful album from Karen Peck & New River.

Shane Dunlap Takes Lead in “Why Wouldn’t I Run,” Showcasing Lee Park Worship’s Unique Sound

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JEFF TURNER

Shane Dunlap, the leader of Lee Park Worship, has taken the helm on the group’s breakout song, Why Wouldn’t I Run. Known for his rich voice and dynamic stage presence, Dunlap’s role in this song marks a significant moment in the growing success of the worship collective.

Lee Park Worship, described as “a collection of many different backgrounds, generations, and musical influences who have come together as one to sing praises to our Lord,” has made waves with their unique blend of modern worship and traditional church music. The group embraces both today’s contemporary sound while staying true to the roots of the church, providing a fresh yet familiar worship experience.

While Why Wouldn’t I Run has garnered attention for its powerful message and moving melody, Dunlap is quick to point out that it’s not just his vocals driving the song’s success. He emphasizes the crucial role of fellow worship team member, Karlie Russell, who adds a special element to the piece.

“Carly just does such a great job. Her voice just fits it perfectly,” says Dunlap. “We wrote it for her. I was, when we went in there, I wanted to write a song for her.”

The song not only showcases Russell’s vocal talent but was specifically crafted with her in mind. Dunlap recalls playing a recording of her voice during the writing process, which helped shape the direction of the song.

“I played them her voice and something that she had done. And that’s what happened. It just came out. It’s pretty cool how that happened and how it’s become what it is,” Dunlap reflects.

Russell’s “special touch” is something that cannot be replicated, according to Dunlap. Her distinctive voice elevates the track and adds an emotional depth that resonates with listeners. “Nobody can sing it like Carly,” he adds, solidifying her unique contribution to Why Wouldn’t I Run.

The song has not only become a signature piece for Lee Park Worship but also showcases the collaborative nature of the group. With Dunlap’s powerful leadership and Russell’s stunning vocals, Why Wouldn’t I Run embodies the collective’s mission to blend diverse musical backgrounds and influences into a harmonious expression of faith.

As Lee Park Worship continues to rise, their approach to merging the familiar with fresh, new sounds—while celebrating the individual gifts of each member—sets them apart in today’s worship music scene. And with songs like Why Wouldn’t I Run, it’s clear that Shane Dunlap and the group are just getting started.

The Guardians’ Transition: Paul Lancaster Takes the Tenor Torch

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JEFF TURNER

When Dean Hickman, the first tenor and founding member of The Guardians, began experiencing health issues a couple of years ago, he made the difficult decision to step back from touring. After decades of performing, Hickman knew it was time to pass the torch. In his place, the group welcomed Paul Lancaster, a fan favorite, to carry on the tenor legacy.

Paul Lancaster has spoken highly of Dean Hickman’s distinctive sound and the challenge of stepping into such a significant role. “He was not your normal tenor,” Lancaster reflects. “He was the kind I liked though, you know, the smooth and classic kind of in that Jim Murray, you know, kind of feel. I grew up being a big fan of [that], and so it was some big shoes to fill, but I tried to come in and not be a hero but just kind of fall in, and it’s been great.”

Hickman’s tenure as first tenor has spanned over 60 years, a testament to his dedication and talent. While he may no longer be on the road, his voice continues to resonate with listeners, particularly on The Guardians’ newest release, Another Life to Give, where he is featured.

Lancaster’s transition into the role has been seamless, honoring Hickman’s legacy while bringing his own touch to the group’s sound. For The Guardians, the road ahead remains bright, even as they cherish the contributions of their founding member.

The Meaning Behind ‘Keep Turning Your Eyes On Jesus’

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JEFF TURNER

Michael Booth on the Message Behind The Booth Brothers’ Latest Song, “Keep Turning Your Eyes On Jesus”

The Booth Brothers’ latest release, “Keep Turning Your Eyes On Jesus,” is a powerful reminder of faith and perseverance. The song, written by Jim Brady, Dave Clark, and Don Cook, carries a message that Michael Booth deeply resonates with.

Booth shared some insight into the song’s creation, highlighting the significance of its simple yet profound message. “Keep turning your eyes on Jesus. Jim Brady, Dave Clark, and I believe Don Cook wrote that together. It was one of their only times they got together and wrote some songs, big writers, and I love it,” Booth said.

For Booth, the song embodies the essence of Southern gospel music, which often focuses on delivering simple truths in a relatable way. “So much of Southern gospel is simple truth, but simple is profound,” he explained. “It’s again packaged in a joyful happy way just to remind us the constant walk with Christ is keeping our eyes on him.”

With its uplifting melody and encouraging message, “Keep Turning Your Eyes On Jesus” serves as a beautiful reminder to remain steadfast in faith, no matter the circumstances.

Joseph Habedank on Adapting Methods to Reach a Broader Audience

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JEFF TURNER

Southern gospel music continues to evolve, offering a spectrum of styles from deeply traditional to more progressive sounds. Joseph Habedank, known for leaning toward the progressive side, recently discussed the direction of his latest project, Autobiography, in a conversation with gospel legend Gerald Wolfe.

While Habedank’s sound may have evolved, his core message remains unchanged. “Yeah, I was just talking to Gerald yesterday about, you know, we don’t change our message ever, but we do change our method,” Habedank shared. He emphasized the need for adapting approaches to reach a diverse audience, saying, “The Bible talks about this… preach the gospel to every creature, not just, you know, young people, old people, middle-aged people, not just Americans, everybody.”

This shift in method has proven successful for Habedank, who has witnessed significant growth in his ministry. “So far, especially in the past year, we’ve watched just amazing growth and we’re so grateful, so grateful for that,” he said.

With Autobiography, Habedank continues to balance the timeless message of gospel with a fresh, progressive sound, aiming to reach listeners from all walks of life.