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The Chuck Wagon Gang Welcomes New Bass Player Ronnie Parker

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JEFF TURNER

The Chuck Wagon Gang, one of gospel music’s longest-running groups, has announced a new addition to their band. Ronnie Parker has joined as their new upright bass player. Many talented musicians applied for the role, but Ronnie’s skills and experience made him stand out.

Ronnie Parker was raised in a musical family and picked up the upright bass at just ten years old. By the age of 13, he was already playing professionally with the bluegrass gospel band, New Highway. His early start and deep roots in gospel and bluegrass music made him a perfect fit for The Chuck Wagon Gang.

The group is working on a new project. Shaye Smith spoke about the special sound that fans have come to love and how it’s created both on stage and in the studio.

“Well, when we come into the studio, we still keep the acoustic guitar and the upright bass, which we use on stage when we sing live,” Smith explained. “But when we come in the studio, there are other instruments added that add to the thickness of the sound.”

She shared how subtle additions bring a new depth to their recordings. “There’s a little mandolin on a few of them, a little bit of fiddle. There’s a couple of songs with a little banjo on them, so that that gives a thicker texture, kind of helps pick it up a little bit.”

With Ronnie Parker joining the line-up and a fresh project in the works, The Chuck Wagon Gang continues to honour their rich history while adding new layers to their sound.

Gospel Singer and ‘Hee Haw’ Star Lulu Roman Dies at 78

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AMY TURNER

Lulu Roman, the beloved comedian, actress, and acclaimed gospel singer whose unmistakable presence lit up the long-running country music variety show Hee Haw, has died at the age of 78. Roman passed away on April 23, 2025, in Bellingham, Washington, where she had relocated seven months prior to be near her son, Damon Roman.

Born Bertha Louise Hable on May 6, 1946, Roman’s life story was one of resilience, reinvention, and grace. Raised in the Buckner Orphans Home in Texas after being born with a thyroid dysfunction in a Dallas maternity home, Roman faced daunting obstacles early in life. Yet she emerged as a vibrant performer, first captivating audiences as “Lulu Roman, the World’s Biggest Go-Go Dancer” in Dallas nightclubs.

Her life took a pivotal turn when country star Buck Owens took notice of her natural comedic talent. In 1969, he recommended her for a role on CBS’s new country comedy program Hee Haw, where Roman quickly became a fan favorite. Her sharp wit and down-home humor enlivened recurring skits such as the All-Jug Band, the Culhanes of Kornfield Kounty, and Lulu’s Truck Stop. Roman would remain with Hee Haw from its premiere episode through its final syndicated broadcast in 1993, cementing her status as a staple of American television.

Beyond her work in comedy, Roman’s life was marked by personal trials and spiritual renewal. In the early 1970s, she battled drug addiction, resulting in a temporary absence from the show. It was during this difficult chapter that she experienced a profound Christian conversion, which would reshape both her personal and professional path. Roman redirected her career toward gospel music, ultimately releasing more than a dozen albums. Her emotive, untrained voice found a place in the heart of Gospel music lovers. She went on to earn a Dove Award in 1985 and an induction into the Country Gospel Music Hall of Fame in 1999.

Roman’s collaborations read like a who’s who of country and gospel music royalty. She recorded alongside Dolly Parton, T. Graham Brown, and George Jones, and her 2013 album At Last featured duets with several of these luminaries. She continued to perform and record well into her later years, also lending her talents to Compassion International, a humanitarian child-development organization.

Lulu Roman was 78.

Collingsworth Family Postpones Concerts Due to Health Emergency

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JEFF TURNER

A serious health emergency in the Collingsworth family has led to the postponement of several of their scheduled concert dates. The news was shared by Kim Collingsworth in a personal message to their followers, explaining the difficult situation they are currently facing.

Kim said, “Our grandson, Noah Collinsworth, Philip’s son, about Thursday or Friday started having respiratory difficulties and was taken to an ER.”

After initial treatment, Noah’s condition required further medical attention. “They did a little bit of treatment on him, ended up taking another trip to a different ER and long story short, he was admitted late Friday night early Saturday morning to the Children’s Hospital in Cincinnati, Ohio,” Kim explained.

The young boy was diagnosed with asthma and viral pneumonia. Doctor’s said the viral pneumonia developed into bacterial pneumonia.

Kim went on to explain the family’s decision to reschedule upcoming tour dates. “Our reason for the postponing is because our son Philip, Phil and I, Phil is just absolutely necessary that he be here with his son in the hospital,” she shared.

Details about the rescheduled dates will be announced at a later time. Fans and supporters are asked to keep the family in their thoughts as they navigate this challenging period.

“That’s What Faith Looks Like”: Karen Peck Gooch Reflects on Belief Through Song

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DAVID INGRAM


In the landscape of Gospel music, faith is often not only the subject of the songs—it is the driving force behind their creation. This includes Karen Peck and New River’s song “That’s What Faith Looks Like.” You may remember it from Southbound, but it’s been re-imagined by Karen Peck and New River. Through its lyrics and the testimony of Karen Peck Gooch, the song paints a picture of what it means to live by faith amid life’s uncertainty.

At its core, “That’s What Faith Looks Like” brings us through a series of human interactions that illustrate belief in action: a mother praying for her child’s safety, a mourner offering praise at a graveside, a believer clinging to divine promises during private struggles. The song does not attempt to define faith in theological terms; rather, it shows how faith is lived out in quiet, often painful, moments.

The lyrics begin by acknowledging the difficulty of articulating faith to someone who has never experienced it.

“If you’ve ever tried to tell an unbeliever what it means to put your faith in a God you have never seen… They still wonder how your heart can be so sure.”

From there, the song transitions to more grounded examples, suggesting that the evidence of faith is not found in abstract ideas but in real-life choices—trusting, surrendering, and praising in the face of adversity.

Karen Peck Gooch, longtime member of Karen Peck and New River, offers insight into the message through her personal life.

“I’m gonna live what I believe. You know, the thing is, I believe that Jesus is Lord. I believe that I am not alone. I believe that God placed me on this earth for a reason and that’s to serve him and to glorify him.”

Her sentiment is found in the final lines of the song.

“I’m going to live what I believe. Trust what I can’t change. Follow where He leads. Unafraid and unashamed.”

This is the intersection of personal conviction and lyrical content for a gospel sinner.

“There are circumstances beyond my control. And I am not gonna understand everything that happens in my life. And you know what—I’m not supposed to. Because if I understood everything that happened in my life, there would be no reason to live by faith.”

The lyrics give us familiar examples—grief, prayer, and perseverance—”That’s What Faith Looks Like” connects with listeners who find themselves navigating similar paths. Rather than offering explanations, it offers identification. The refrain,

“I can’t explain it any other way, except to say that’s what faith looks like,”

Listen for That’s What Faith Looks Like throughout the day on Texas Gospel Canada!

Exploring the Message of “The God You Are”: A Reflection on Surrender, Faith, and Identity in God

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STEVE MORGAN

When Sound Street was searching for music for their project Good Seed in 2023, lead vocalist Jaylie Vanderslice recalls that the group was looking for songs with a personal connection—songs that moved listeners on a deeper level. That search led them to “The God You Are,” written by Adina Bowman, Wendy Ferguson, and Rhonda Fry.

“In 2023, when we were searching for new songs to put on our new project at the time, Good Seed, we were searching for songs that I could relate to and I could really connect with,” Vanderslice shared. “And we weren’t having much luck until Adina Bowman sent us a song… from the moment that I heard the intro I fell in love with it and it was ‘The God You Are.’”

Now performed by Southbound, “The God You Are” continues to carry the emotional weight that Vanderslice described. The lyrics are centered on surrendering personal control, affirming God’s attributes, and aligning one’s will with divine purpose. The bridge—highlighted by Vanderslice as her favorite section—reads:

“The God of salvation, of mercy and grace,
The God of all power, you’re still God today.”

These lines enforce the song’s central message: the enduring and unchanging nature of God’s power, mercy, and authority. In the broader context of the song, this declaration follows a personal plea for help, beginning with uncertainty and vulnerability:

“I know you can do what no one else can do.
And I know that you can see just what I’m going through.
So why do I still fight this fight alone
When I should know by now that I can’t make it on my own?”

There is a struggle between human instinct for self-reliance and the spiritual call to trust. The words acknowledges God’s omnipotence and insight, but still confesses to wrestling with the need for control. The chorus follows with a deliberate act of surrender:

“So give me faith to step out of the way.
Surrender my whole life enough to say
I lay it all here at your feet.
I trust with all my heart,
Believing you to be the God you are.”

This is both a prayer and a declaration, shifting from uncertainty to resolve. It marks a turning point in the song—an active decision to yield to divine authority. It underscores a recurring theme in Southern Gospel music: that of personal transformation through trust in a higher power.

The song closes by repeating its key affirmation: “Believing you to be the God you are.”

Vanderslice’s reflection on singing the bridge—particularly her emotional response. “The God of salvation, like he saved me and he’s saved people who thought that they’re too far gone,” she said. “But you’re never too far gone for God.”