Author: Texas Gospel

A husband’s recovery from alcoholism gave the Jordan family band a new season

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AMY TURNER

There’s a strength that doesn’t announce itself. It shows up in the small, unglamorous moments: showing up to work while your world is quietly falling apart, keeping a family fed and functioning when you feel like you’re the only one holding it together. For Heather Rose Jordan, that strength became so woven into her daily life that she stopped noticing it as strength at all. It just felt like survival.

Heather sings, writes songs, and works as a product manager within The Jordan Family Band, a group built entirely around her family. Her husband Hutch handles production and sound alongside his own songwriting and vocals, and his journey through alcoholism and back out again has become central to how the couple now understands their own story, and how they hope to help others understand theirs.

It wasn’t until a conversation with a client, of all people, that Heather says the weight of what her family had walked through really landed.

“Me and Hutch were talking one morning and I was telling him about a conversation I had with a client of mine about our story,” Heather says. “I told her about the years Hutch spent in alcoholism, about how I felt like I lived as a single mom even though I wasn’t, and then going septic and getting so sick all while trying to open a business. And then came Hutch spending three months away in rehab. And when I finished, she just stopped and said, Heather, I’m so sorry, you’re so strong. I would have never known you went through all that.”

“I told Hutch, even though we’re quickly approaching one year of his sobriety, it truly feels like a lifetime ago,” she continues. “Since he came home, we’ve had so much fun. We’ve laughed, loved each other better, and truly enjoyed our little family so much. God has restored so much in our lives, and it’s hard to believe we were ever that broken. Truly, when we turn to Jesus, I believe he protects our minds from past traumas, shame, and brokenness. Now we get to live fully in his forgiveness and his restoration. And when we look back now, we don’t have to see what Satan tried to destroy. We only see the goodness and the faithfulness of God.”

It’s a lot to carry in one sentence: a business launch, a life-threatening illness, a marriage stretched thin by addiction, three months of separation while her husband got sober two states or two towns away, whatever the distance actually was, it must have felt like the whole world. And yet what stands out isn’t the hardship itself. It’s how quickly, in Heather’s telling, the hardship has receded into something almost unrecognizable, softened by everything that’s come since.

That’s the part worth sitting with. Nearly a year out from Hutch’s sobriety, the Jordans describe a household that sounds almost unremarkable in the best way: laughter, ease, a family simply enjoying being a family. For anyone who has lived alongside addiction, that description is not small. It’s the whole thing.

Alcoholism has a way of convincing the people living with it that recovery is either impossible or reserved for someone else, someone with more willpower, more support, more luck. The Jordans’ story pushes back on that. Hutch’s path out started, as it so often does, with a single admission: that he was an alcoholic, and that he couldn’t fix it alone.

That admission is the hinge point in nearly every recovery story, and it’s the same hinge point the Bible points to for sin more broadly. Scripture doesn’t soften its language on drunkenness, it’s named plainly as sin, but it also doesn’t stop there. The same faith that names the problem offers the way out: confession, surrender, and a willingness to let go of self-reliance.

For the Jordans, that surrender didn’t erase the three months of separation or the years that came before it. What it did was reframe them. Heather doesn’t describe herself as someone who survived a tragedy and is now just getting by. She describes a family restored, laughing again, loving each other better than before.

Jesus said, “I have come that they may have life, and that they may have it more abundantly” (John 10:10). For a family that once measured its days by how badly they were breaking, that promise of abundant life isn’t an abstraction. It’s Tuesday mornings that feel light. It’s a marriage where both people show up. It’s a household where sobriety isn’t just the absence of drinking, it’s the presence of something better.

8th Street’s Jonathan Thompson on the struggle behind Here Comes The Promise

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AMY TURNER

On 8th Street in Sapulpa, Oklahoma, there’s a little church called Pentecostal Mission where three boys grew up learning about Jesus, and about harmony. Jonathan Thompson, Ivan and Byron came up singing together in that building before life pulled them in different directions. Careers, families, distance. The kind of things that quietly end a lot of groups before they even start.

But in early 2017, something brought them back. They found themselves standing next to each other again, singing the same songs they’d grown up on, and the group that would become 8th Street was born from that reunion, named for the road that led them to church as kids.

Their latest single, “Here Comes The Promise,” carries that same thread of return, of finding your way back to something solid when life gets heavy. Thompson wrote the song, and he says the meaning isn’t buried too deep.

“The second verse of this song kind of goes more into letting everybody know that we’ve all been there,” Thompson explains. He’s talking about the moments that knock people sideways, the ones that feel unmanageable in the middle of them. “We’ve all had those things in our lives that come up that just feel like something we can’t handle.”

The verse he’s describing speaks to a friend caught in a struggle, unsure what to do, trying to carry it alone. It’s a scenario Thompson knows from the inside. “I’ve been there,” he says. “I’ve done that.” He admits there’s something almost stubborn in how people, himself included, keep reaching for their own solutions. “Sometimes I don’t know why, when we’ve got an almighty God, that we just want to try to do it our way.”

The answer the song offers is simple, and it’s the whole point of the title. Cast your cares on the master, it says.

“That’s exactly what we need to do,” Thompson says, “because I think when we do that, we just feel those arms encircle us, and we know that he is there for us, and those promises are going to come through.”

That sense of promise fulfilled isn’t just a lyric for 8th Street. It’s the arc of the group itself: three friends from a small church on a small street, who walked away and found their way back to the same harmony they started with.

Responding correctly is the key that opens everything

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JEFF TURNER

There is a key to growing in the Christian life, and it is the same key that unlocks the trial, and it is this: responding correctly. Not enduring correctly, not simply surviving the season with your theology intact, but responding in a way that opens you to what God intends to do through the suffering.

Consider this when you are tested. Could God be testing your faith, wherever it is right now, however small or however uncertain, with the goal of increasing it? Would he test your faith if he wanted to leave it where he found it?

The believer who responds correctly to trials in life, that is, the one who goes to bended knee in the middle of the trial, will find not only that their faith has been strengthened by what they survived but that they have been purified by it.

Consider it all joy, my brothers and sisters, when you encounter various trials, knowing that the testing of your faith produces endurance.

James 1:2-3

What 2 Peter 3:9 actually means when it says God is not willing for any to perish

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JEFF TURNER

Second Peter 3:9 says that God is not willing for any to perish but for all to come to repentance, and on the surface that verse seems to create a tension with the idea that God is all-powerful and always accomplishes what he wills. If God wants everyone to be saved and he has the power to make it happen, why is not everyone saved? The answer lies in paying close attention to who Peter is actually addressing in that passage.

Peter is writing to believers, referring to them as “beloved” in the verses surrounding that statement. When he says God is not willing for any to perish, the “any” and “all” he refers to are the same people he has been calling “us” throughout the passage. He is saying that God will not allow any of his people to be lost. Every person he has set his love on will come to repentance.

Isn’t this a promise that God will bring all of his elect safely home?

Everything that the Father gives Me will come to Me, and the one who comes to Me I certainly will not cast out.

John 6:37

The Dunaways Return With New Single “That Sounds Like God To Me”

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Some groups have a confidence that comes from decades of experience. The Dunaways have that kind of confidence. So does Les Butler, the Hall of Fame producer who’s been in their corner since the songs started climbing charts back in the early 2000s. Now the two are reuniting for the family group’s first new single in years, and by the sound of it, nobody involved is treating this as a comeback so much as a continuation.

“That Sounds Like God To Me,” set to hit Southern Gospel radio in late summer 2026, was written by Tammy Dunaway and Marcia Henry after a real-life moment convinced them God’s fingerprints are all over the ordinary stuff of daily living. It’s not a flashy premise. It’s a familiar one, delivered with the kind of warmth that’s made the Dunaways a fixture in the genre since the turn of the millennium.

Butler, who produced the track, doesn’t hide his enthusiasm. “I can’t tell you how excited I am to create new music with one of the most talented families I’ve ever been privileged to work with,” he says. “The Dunaways are special. If you don’t believe me, go check out the catalogue of music we produced together, 2000-2020. It will bless your soul!”

That catalogue is substantial: number one songs, national radio play, and multiple placements on Gaither Music Group’s “Shout” series, the annual showcase of Southern Gospel’s best. It’s the kind of resume that makes a reunion feel less like a gamble and more like a homecoming.

For Randall, Tammy, and Kanah Dunaway, the sentiment runs both ways. “We are honored to once again partner with Les Butler and Family Music Group,” Tammy says. “Les has been a faithful friend and supporter of our ministry for many years. We are grateful for this opportunity and pray, ‘That Sounds Like God To Me’ will encourage hearts, strengthen faith, and remind listeners that God is always at work around us.”

The track features Kanah Dunaway on lead vocals, a choice that signals where the family’s sound is headed even as it stays rooted in the harmonies longtime fans know well. It’s a melody built for radio, and given the group’s track record, it seems likely to find its audience fast once it starts reaching stations this summer.

Through it all, the throughline stays the same as it’s always been for the Dunaways: Christ centered music, close family harmony, and a ministry that’s spanned churches, concerts, and conferences across the country for more than thirty years. New single, same mission.