STEVE MORGAN

When Sound Street was searching for music for their project Good Seed in 2023, lead vocalist Jaylie Vanderslice recalls that the group was looking for songs with a personal connection—songs that moved listeners on a deeper level. That search led them to “The God You Are,” written by Adina Bowman, Wendy Ferguson, and Rhonda Fry.

“In 2023, when we were searching for new songs to put on our new project at the time, Good Seed, we were searching for songs that I could relate to and I could really connect with,” Vanderslice shared. “And we weren’t having much luck until Adina Bowman sent us a song… from the moment that I heard the intro I fell in love with it and it was ‘The God You Are.’”

Now performed by Southbound, “The God You Are” continues to carry the emotional weight that Vanderslice described. The lyrics are centered on surrendering personal control, affirming God’s attributes, and aligning one’s will with divine purpose. The bridge—highlighted by Vanderslice as her favorite section—reads:

“The God of salvation, of mercy and grace,
The God of all power, you’re still God today.”

These lines enforce the song’s central message: the enduring and unchanging nature of God’s power, mercy, and authority. In the broader context of the song, this declaration follows a personal plea for help, beginning with uncertainty and vulnerability:

“I know you can do what no one else can do.
And I know that you can see just what I’m going through.
So why do I still fight this fight alone
When I should know by now that I can’t make it on my own?”

There is a struggle between human instinct for self-reliance and the spiritual call to trust. The words acknowledges God’s omnipotence and insight, but still confesses to wrestling with the need for control. The chorus follows with a deliberate act of surrender:

“So give me faith to step out of the way.
Surrender my whole life enough to say
I lay it all here at your feet.
I trust with all my heart,
Believing you to be the God you are.”

This is both a prayer and a declaration, shifting from uncertainty to resolve. It marks a turning point in the song—an active decision to yield to divine authority. It underscores a recurring theme in Southern Gospel music: that of personal transformation through trust in a higher power.

The song closes by repeating its key affirmation: “Believing you to be the God you are.”

Vanderslice’s reflection on singing the bridge—particularly her emotional response. “The God of salvation, like he saved me and he’s saved people who thought that they’re too far gone,” she said. “But you’re never too far gone for God.”