Tag: Kingdom Heirs

The Kingdom Heirs release Fortieth Anniversary album

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SPECIAL CROSSROADS RECORDS

Arden, North Carolina (October 10, 2025) — “This year is a huge milestone for the Kingdom Heirs,” says Dennis Murphy of the legendary Southern Gospel quartet in which he’s served as drummer for more than 35 years. “Not only have we been in full-time gospel music for 40 years, but we’re also celebrating 40 consecutive seasons at Dollywood, Dolly Parton’s theme park in Pigeon Forge, Tennessee.” 

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To celebrate, the Sonlite Records artists have released Fortieth Anniversary, a collection of newly recorded favorites plucked from the vaults, including three of their most beloved numbers — “He Lifted Me, “I’ve Passed Over” and “He Locked The Gates” — seamlessly blended into a medley filled with the joy of salvation from first note to last.

“Many people may not realize that we were already in place at the park before it became Dollywood,” Murphy notes. “We started as a part-time gospel act during the early 80’s when it was Silver Dollar City, and after a couple of years singing on weekends and special events throughout the season, management offered us the full-time position in 1985. This has been an incredible way for us to share the gospel with people from all over the world. Our theater seats a thousand and we have the opportunity to sing to more people than we could ever reach traveling full time.”

Inspired by the opportunity to share their musical ministry with audiences from around the world — a blend of one-time visitors and season pass regulars — the Kingdom Heirs have built a songbook second to none. Not surprising, then, that musical variety abounds on Fortieth Anniversary, where plenty of classic quartet numbers are leavened with a country waltz (“I’ll Know I’m Home”), a simmering, soulful “Jesus Made A Believer Out Of Me,” a gentle yet intense ballad (“My Anchor Of Hope”) and more — each a powerful, upbeat testimony to the redemptive power of Christian faith.

“During our forty years we’ve been very fortunate to have some incredibly talented men come through the group,” enthuses Murphy. “We bring an entertaining, high-energy performance to the stage every time the curtain opens, presenting the gospel with incredible songs, talented vocals, and an award-winning live band. Our current line-up of guys is, without a doubt, a crowd favorite, so Fortieth Anniversary is a classic sounding Kingdom Heirs compilation with new voices, and we have reached way back in our catalogue to revive these hits from the last 25 years. 

“Some of you will remember every song while others will be hearing them for the first time. As we share these songs, we are reminded that our music has become the institution which allows us to keep singing and sharing the gospel. We’re excited for everyone to live these songs again and be reminded of our rich history of amazing music and amazing writers. The hearts that have been touched and lives that have been changed will never be known this side of heaven!”  

Kingdom Heirs Mark 40 Years in Gospel Music and at Dollywood

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JEFF TURNER

This year marks a significant milestone for the Kingdom Heirs, one of Southern Gospel’s most enduring quartets. The group is celebrating 40 years as a full-time ministry in gospel music, along with four decades of performances at Dollywood in Pigeon Forge, Tennessee.

Drummer Dennis Murphy, who has been with the group for more than 35 years, recalls how the partnership with the theme park began long before it carried Dolly Parton’s name. “We were already in place at the park before it became Dollywood,” he says. “We started as a part-time gospel act in the early ’80s when it was still Silver Dollar City. After a couple of years singing on weekends and special events, management offered us a full-time position in 1985. From there, it became an incredible way to share the gospel with people from all over the world.”

The group’s theater at Dollywood holds about a thousand people, giving the Kingdom Heirs the chance to reach audiences far larger than many touring groups could sustain. Their performances have become a fixture for both first-time visitors and loyal season pass holders, helping to establish their reputation as one of the most recognizable names in the genre.

To commemorate the anniversary, the Kingdom Heirs are releasing Fortieth Anniversary, a collection of newly recorded versions of fan favorites. The album revisits songs from across their career, including a medley of three of their best-known numbers — “He Lifted Me,” “I’ve Passed Over,” and “He Locked The Gates.” Alongside these classics are fresh arrangements that highlight the group’s variety, from traditional quartet numbers to a country waltz, a soulful ballad, and other styles that showcase the breadth of their catalog.

Murphy credits the group’s longevity to the many singers and musicians who have passed through its ranks. “During our forty years we’ve been fortunate to have some incredibly talented men come through the group,” he reflects. “Our current lineup is a crowd favorite, and this project captures both the history and the energy of the Kingdom Heirs today.”

As much as the album is a look back, it also serves as a reminder of the group’s mission. “Some will recognize every song, while others will be hearing them for the first time,” Murphy adds. “Either way, these songs carry the same message they always have — one that has touched countless hearts and lives over the years.”

The Fortieth Anniversary album is scheduled for release on October 10.

Dollywood Mainstays The Kingdom Heirs Announce Summer Tour Plans

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JEFF TURNER SR.

After 39 years of consistent performances at Dollywood, The Kingdom Heirs are changing things up in 2025. The group will mark their 40th consecutive year at the Tennessee theme park starting 14 March, but with an unexpected twist – they’ll be absent from the park for most of June and July.

Dennis Murphy of The Kingdom Heirs sees this schedule change as an opportunity. “We’re taking advantage of this situation by booking a limited summer tour which will be taking us to places we’ve been unable to visit for quite some time, especially up north,” Murphy explains.

The group plans to return to once regular stops on their performance circuit.

The Kingdom Heirs, who recently released their latest single “No Better Time” – the title track from their current album – are maintaining their strong connection with Dollywood despite this temporary absence.

For those interested in catching one of their summer performances, Murphy can be contacted directly at Dennis@kingdomheirs.com.

The Kingdom Heirs’ Chris Bryant Finds Perfect Harmony Between Career and Family Life

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JEFF TURNER

For Chris Bryant, lead singer of The Kingdom Heirs, the sweet sounds of Southern Gospel have always been part of his DNA. Growing up in a pastor’s home and watching his grandparents traverse the country sharing their musical ministry, Bryant seemed destined to follow in their footsteps. However, he’s found a unique way to blend his passion for Gospel music with something equally precious – time with his family.

As the frontman for Dollywood’s resident Gospel group, Bryant has achieved what many traveling musicians only dream of: a stable performance schedule that allows him to return home every night to his wife Rachel and their new baby.

“This is the best of both worlds,” Bryant says, reflecting on his current role with The Kingdom Heirs, a group that has been Dollywood’s house Gospel band since 1986. The journey to this sweet spot in his career wasn’t immediate. Bryant previously toured with the Kingsmen quartet, experiencing the demanding schedule typical of traveling Gospel groups.

“I remember traveling with the Kingsmen quartet. They’re a great group, great group of guys, but we were home three to four weekends a year. That was it,” Bryant recalls. The grueling schedule of a touring musician is a familiar story in the Gospel music industry, where performers often sacrifice time with loved ones to share their ministry across the country.

The Kingdom Heirs’ story begins in 1971, the group started like many others, performing in local churches and concert halls. Their breakthrough came in 1982 when they began performing at what was then Silver Dollar City theme park, now known as Dollywood. Four years later, they secured their position as the park’s official Gospel ensemble.

For Bryant, joining The Kingdom Heirs represented more than just a prestigious position with a legendary group – it offered a chance to maintain his musical ministry while preserving precious family moments. After leaving the road life behind, he briefly ventured into solo performances, which allowed more schedule flexibility. But when the opportunity to join The Kingdom Heirs presented itself, the decision was clear.

“When this was available, there was no brainer for me,” Bryant explains. “If you wanna sing and you love to sing, you love this music, this is a chance to get to do it, but still have a family life, still get to have other things that are important to you. And honestly, I don’t know how anyone would ever walk away from this job.”

In an industry where time on the road often means sacrificing family life, Bryant’s story represents a modern evolution in Gospel music careers. His position with The Kingdom Heirs at Dollywood proves that sometimes the best path forward isn’t always found on the open road, but rather in finding that perfect harmony between passion and presence at home.

The Kingdom Heirs: Crafting Harmony Through Change

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DAVID INGRAM

For Southern Gospel veterans The Kingdom Heirs, 2023 brought unprecedented changes that would have rattled lesser groups. The Dollywood mainstays faced the daunting task of rebuilding nearly their entire front line within just six months, including three vocal positions and adding a new guitarist.

Yet their latest Sonlite Records release, “No Better Time,” stands as testament to the group’s resilience and musical depth. The album serves as both a continuation of their celebrated legacy and an exploration of new artistic territory, seamlessly blending their traditional roots with contemporary arrangements.

The collection of songs reflects this balance, with orchestral elements enriching songs like “Until Prayer Changes Me” while maintaining the quartet’s signature southern gospel foundation. The horn section on the title track adds a fresh dimension to their sound without overshadowing the group’s renowned vocal arrangements.

What sets this album apart from their previous work, including last year’s “Something Good, Vol. 3,” is how it showcases the versatility of their new lineup. The project moves effortlessly between upbeat numbers like “All The Way To The Gates” and more contemplative pieces such as “Already Free.” The emotional range is particularly evident in “Life Hurts, God Heals,” which features some of the group’s most nuanced vocal work to date.

Each member contributed to the album’s development, from song selection to final production decisions. This collaborative approach has resulted in performances that feel both polished and genuine, particularly in tracks like “I Went Down” and the gently rhythmic “We’ll Be Moving.”

The project’s cornerstone, “Until Prayer Changes Me,” has already found success on gospel radio, suggesting that listeners are embracing this new chapter in the group’s story. While the faces may have changed, the heart of The Kingdom Heirs’ ministry remains steadfast, evident in every harmony and lyric throughout the album.Long-time fans will appreciate how the group has maintained their traditional quartet styling while thoughtfully incorporating contemporary elements. The closing track, “Yesterday, Today, Forever Faithful,” perfectly encapsulates this evolution, providing a fitting bookend to an album that honors their past while embracing their future.

As The Kingdom Heirs continue their daily performances at Dollywood, this album stands as proof that even significant change can lead to creative growth when approached with faith and dedication. Through careful song selection and collaborative musicianship, they’ve created what might be their most cohesive and compelling project to date.