AMY TURNER
Some songwriters doesn’t chase the spotlight so much as build the stage for everyone else to stand on. John Darin Rowsey has spent decades doing exactly that, first with New Journey, then Karen Peck & New River, and for the last dozen-plus years as the songwriting engine behind The Guardians, the southern gospel quartet rounded out by Pat Barker, Paul Lancaster and Dale Forbes. Their new project, Where Healing Happens, might be the most personal thing he’s ever put his name on.
Rowsey started singing in front of crowds at 11 years old, an age when most kids are still figuring out how to talk to strangers. That early exposure shaped a career defined less by ego than by service; he’s the guy in the room writing the songs other people get to sing, and he’s made peace with that role in a way that feels almost countercultural in an industry built on hooks and headliners. Hundreds of songs, multiple number-one hits on the southern gospel charts, a Dove Award. The résumé speaks for itself. But ask him about this particular record, and something shifts in his voice.
“You know, it was really a labor of love,” Rowsey says. “I feel like the songs that are on this project speak my heart more so than just about any project I’ve ever been a part of.” He pauses on the why of it, landing somewhere true: “I guess it’s because we all walk through seasons that are difficult. We walk through seasons of joy. Every season is different, and different songs come out of those seasons.” The album, he explains, was built to meet people wherever they are, grief, gratitude, doubt, all of it: “We were able to pick songs on this project that help you walk through every season of your life.”
What catches Rowsey off guard, even now, is what happened once he handed the songs over to his bandmates. Writing them was one thing. Hearing them sung back was another entirely. “The guys took the lyrics and sung them, it was way above my expectations,” he says. “I thought I knew they would do a great job, but I never dreamed that they would interpret the songs the way they did.” There’s real surprise in that admission, the kind that only comes when collaboration outpaces even a songwriter’s own vision for his work. “I think this record means more to me because of that than any I’ve ever been a part of. So I’m really thankful for that.”
That gratitude tracks with everything The Guardians have built their identity around. Three Dove Award nominations, a string of number-one songs, Fan Awards, and still the group’s mantra traces back to John the Baptist in John 3:30: “He must increase but I must decrease.” It’s a strange thing to hear a quartet with this much chart success talk about diminishment as the goal, but that’s the tension that seems to animate the group, ambition in service of something bigger than themselves.
Occasionally they’re joined onstage by founding member Dean Hickman, a man who’s logged more than 60 years in southern gospel music, a living thread back to the genre’s roots standing next to a group actively reshaping what it sounds like now. It’s a lineage thing, the old guard blessing the new, and it fits the arc of a group whose newest record is, by its own songwriter’s account, less a product than a testimony.
Where Healing Happens isn’t trying to be everything to everyone. It’s trying to be honest about the seasons people actually live through. For Rowsey, that honesty is the whole point.
Texas Gospel Canada Southern Gospel Radio 