TEXAS GOSPEL VOLUNTEER

For seven decades, the Kingsmen have built a reputation by honoring Southern Gospel traditions while continuing to evolve. Their latest release, Still Jesus, reflects that balance, looking back at the group’s history while introducing new music that points toward its future.

The Horizon Records album, subtitled A Seventieth Anniversary Celebration, arrives as both a milestone and a statement of purpose. Rather than simply revisiting familiar material, the collection blends restored classics, previously unrecorded songs from the group’s archives, and brand-new recordings from some of gospel music’s most respected songwriters.

“For me,” says Kingsmen vocalist Alan Kendall, “this album is both a culmination and a beginning for the Kingsmen.”

That perspective shaped every decision behind the project. Kendall says the group wanted to celebrate its legacy without becoming confined by it.

“We have always been diligent to honor our Kingsmen roots,” he explains. “But those exact same roots also tell us that the Kingsmen have always been a forward-thinking group.”

That philosophy led the quartet to revisit classic arrangements while preserving the character longtime listeners have come to expect. The album also includes two older songs that had never been recorded by the Kingsmen, including one written by Squire Parsons in 1989, alongside five newly written selections from songwriters whose work has helped define the group’s modern catalog.

“Ronny Hinson, Kenna Turner West, Joseph Habedank, Lee Black, Rachel McCutcheon, and more, all sent us some of their finest material to date,” Kendall says.

The result is an album that moves comfortably between generations. Familiar harmonies anchor classics such as “I’ll Live Again,” while songs like “I Forgive Your Sin” and “When Sunday Morning Dawned” feature sweeping orchestration. Elsewhere, country influences shape tracks including “That Very Moment” and “I Stand Upon The Rock of Ages,” giving the collection a broader musical palette without losing its identity.

The closing track serves as the album’s emotional centerpiece. Nineteen former Kingsmen members reunite as an alumni choir to perform “Is That the Old Ship of Zion,” one of the group’s signature songs.

“I’ll advise our fans to listen to this album all the way through,” Kendall says. “It is quite a ride.”

For drummer Brandon Reese, whose father, Ray Dean Reese, helped establish the Kingsmen’s enduring legacy, the anniversary project carries both personal and spiritual significance. As the group’s manager and leader, he sees Still Jesus as more than a celebration of longevity.

“We tried to incorporate something that just about anybody would enjoy,” Reese says, pointing to the mix of new songs, re-recorded favorites, and appearances by more than 15 Kingsmen members spanning seven decades.

His hope, however, extends beyond the music itself.

“Most importantly,” Reese says, “it is my prayer that you hear something in this album that helps you in your every day walk, because no matter the issue, the answer is Still Jesus. And with the Kingsmen, even after 70 years, the answer will always be Still Jesus.”