JEFF TURNER
The Oklahoma-based gospel trio Sound Street’s new project is taking a decidedly different direction from their recent Dixieland-influenced track. The group has turned their attention to reimagining one of contemporary Christian music’s most cherished worship songs.
This new endeavor represents a significant departure from the upbeat, traditional sound that characterized their previous work. Instead of building on that momentum, Sound Street has chosen to explore quieter, more contemplative musical territory with their version of the 2023 Dove Award-recognized composition that has become a modern worship standard.
The decision to record this particular song stems from years of live performance experience. The trio has been incorporating the worship anthem into their concerts and ministry events for four years, witnessing firsthand how audiences respond to its message of faith.
Working alongside producer Roger Talley, Sound Street crafted an arrangement that prioritizes accessibility and emotional resonance. Talley, who also provided keyboard accompaniment for the recording, helped the trio develop a musical approach that feels authentic to their artistic identity while serving the song’s spiritual purpose. The production philosophy centered on creating space for listeners to engage with the worship experience, regardless of their physical location or circumstances.
The recording showcases the vocal talents of Jaylie Vanderslice, the youngest member of the three-person ensemble. Her delivery carries a remarkable confidence that goes beyond her years, acknowledging her relative youth while affirming her deep conviction.
The musical arrangement, including cello work by session musician David Johnson, enhances rather than overshadows the message.
Sound Street consists of Jarrod Vanderslice, his daughter Jaylie, and longtime family friend Ryan Bilby. Since forming in July 2020, the trio has built a substantial following within southern gospel circles.
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