From Mark’s Gospel to Music: The Story of Blind Bartimaeus Lives On

AMY TURNER

Gospel music veteran Jonathan Wilburn‘s newest album is “Songs from the Front Pew,” featuring a fresh take on the traditional gospel song “Old Blind Bartimaeus.” The lyrics speak of the New Testament story of Jesus healing a blind beggar (Mark 10:46-52.)

The song isn’t exactly new. Our music director found it was recorded by the Golden State Quartet in the 1940s and possibly others before then. A recording by The Bishops in the 1980s was also popular.

For this new rendition, Wilburn collaborated with an impressive quartet of talent. Producer Ben Isaacs assembled a dynamic group featuring himself, Mike Rogers, Gene McDonnell, and Wilburn on vocals. The production was enhanced by Stewie French’s distinctive lead guitar work.

“I think it turned out absolutely great. It’s just got a lot of energy,” Wilburn shared about the recording, highlighting the special quartet arrangement that brings new life to this timeless story of faith and healing.

The song recounts the Biblical narrative of Bartimaeus, a blind man who called out to Jesus for healing as He passed through Galilee. This gospel classic emphasizes themes of faith, persistence, and divine mercy, culminating in the miraculous restoration of Bartimaeus’s sight.

Johnathan Wilburn’s arrangement maintains the traditional gospel quartet style while incorporating contemporary production elements.

Mark Bishop brings truth and wisdom to his upcoming album, Home

CROSSROADS RECORDS

Arden, North Carolina (December 5, 2023) β€” “Every new recording project takes on its own personality, even after nearly forty years of recording music,” says GRAMMY-nominated artist Mark Bishop. “It never grows old. New songs, new ideas, different combinations of singers and musicians… they all come together to make a whole new thing.”

The truth and wisdom of this observation are borne out on Home, now available for pre-save/add ahead of its January 26 release.

For where Home’s predecessor, 2021’s Some Distant Mountain, reflected Bishop’s deep love and respect for a “mountain music” rooted in folk songs, Celtic sounds and timeless ballads, the new one takes a different, though no less creative β€” and rooted β€” approach that wraps the enduring messages of God’s love and Christ’s redemption in moments of startling musical vision. Opening with an up-tempo affirmation of faith that can triumph over Satan’s efforts:

The story of old Job shows Satan comes to everyone.
When he comes to you, well you can make the devil scat
By saying, “I found something better.
I found something better…
I found something better than that.”

Home introduces an accomplished crew of musicians β€” along with background singers Amber Eppinette Saunders (11th Hour) and Freddie Ratliff β€” capable of delivering inspired and soulful backing no matter which direction Bishop’s creativity takes them. Nowhere is the breadth of that creativity, and the depth of that talent, more evident than in the title β€” and focus β€” track, an evocation of generations of joyous African-American gospel that features a remarkable set of harmonies by Ratliff that surround Bishop’s exuberant lead.

Still, whether it’s the minor key groove of rising first single, “I Met Someone On The Way To The Cemetery,” the Beatles-esque sophistication of “If We Can’t Be Happy Here,” which includes some deliciously appropriate whistling by Bishop himself, the duet with Karen Peck Gooch on a foreboding “But There Is A Cross” or the magnificent closing, “Ten Thousand Witnesses,” with its swelling orchestral passages and celebratory choir, all of these are performances and songs β€” all written by Bishop β€” that perfectly match the living message of God’s grace to compelling music.

“With Home, we explore through music and lyrics how God moves through our lives, through big moments and little ones,” says Bishop. “He’s there in our love of family. He’s there through the ups and downs of life. He’s weaving a grand tapestry that one day will be revealed to us. We will see what at the time only He could see, on that day when we finally make it ‘home.'”